Angelou, M. (1970). I know why the caged bird sings. New York: Random House.
Bloom, L. (2014). Suspicion nation: The inside story of the Trayvon Martin injustice and why we continue to repeat it. Berkeley, CA: Counterpoint.
Chang, J. (2005). Can't stop, won't stop: A history of the hip-hop generation. New York: St. Martin's Press.
Charnas, D. (2010). The big payback: The history of the business of hip-hop. New York, NY: New American Library.
Charnas, D. (2010). The big payback: The history of the business of hip-hop. New York, NY: New American Library.
Chuck, D., Jah, Y. (1998). Fight the Power: Rap, Race and Reality. Delta
Dates, J., Barlow, W. (1993). Split Image: African Americans in the Mass Media. Howard University Press
Dyson, M. E. (2004). The Michael Eric Dyson reader. New York: Basic Civitas Books.
Ghansah, R. (2013). When the Lights Shut Off: Kendrick Lamar and the Decline of the Black Blues Narrative. LARB
Gilroy, P. (1991). 'There ain't no black in the Union Jack': The cultural politics of race and nation. Chicago, IL: University of Chicago Press.
Gray, J., Sandvoss, C., & Harrington, C. L. (2007). Fandom: Identities and communities in a mediated world. New York: New York University Press.
Hall, S., Evans, J., & Nixon, S. (2013). Representation. London: Sage.
Keyes, C. L. (2002). Rap music and street consciousness. Urbana: University of Illinois Press.
Lee, H. (1960). To Kill A Mockingbird. United States. J. B. Lippincott & Co
Monteyne, K. (2013). Hip hop on film: Performance culture, urban space, and genre transformation in the 1980s. Jackson: University Press of Mississippi.
Keyes, C. L. (2002). Rap music and street consciousness. Urbana: University of Illinois Press.
Lee, H. (1960). To Kill A Mockingbird. United States. J. B. Lippincott & Co
Monteyne, K. (2013). Hip hop on film: Performance culture, urban space, and genre transformation in the 1980s. Jackson: University Press of Mississippi.
Morrison, T. (1987). Beloved. United States. Alfred Knopf.
Osumare, H. (2007). The Africanist aesthetic in global hip-hop: Power moves. New York: Palgrave Macmillan.
Rome, D. (2004). Black demons: The media's depiction of the African American male criminal stereotype. Westport, CT: Praeger.
Rose, T. (1994). Black noise: Rap music and black culture in contemporary America. Hanover, NH: University Press of New England.
Rose, T. (2008). The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters. Basic Civitas Books.
Russell, K. (1999). The Color of Crime: Racial Hoaxes, White Fear, Black Protectionism, Police Harassment and Other Macroagressions. NYU Press.
Terkourafi, M. (2010). The Languages of Global Hip-hop (Advances in Sociolinguistics). Continuum International Publishing Group.
Journals
King, D. (2006). Black Filmmaker.
Korom. A, Y. (2006). Black Filmmaker.
Vernal, L. C. (2001). Screen.
(2003). National Film Theatre Programmes.
Leigh, D. (2004). Sight & Sound.
Goldie, L. (2004). Black Filmmaker.
Smith, S. L. (2002). Journal of Communication.
Spence, J. (2004). Black Filmmaker.
Magazines
Aidoo. D. Media Magazine 45.
Dyas. P. Media Magazine 42.
Moving Image Texts
Ab-Soul. (2016). Huey Knew. TopDawgEntertainment. Retrieved from YouTube.
Ab-Soul. (2016). Huey Knew. TopDawgEntertainment. Retrieved from YouTube.
Billboard. (2015). Kendrick Lamar sits down with N.W.A. Retrieved from YouTube.
Clique. (2015). Kendrick Lamar – How to Clique a Butterfly. Retrieved from YouTube.
Eminem World. (2013). Eminem Talks about Kendrick Lamar. Retrieved from YouTube.
Gray. G, F. (Director). (2015). Straight Outta Compton. USA.
Green Hits Production. (2014). Something From Nothing: The Art of Rap. Retrieved from YouTube.
Hanson, C. (Director). (2002). 8 Mile. USA.
HisLifeAsTupac. (1988). Tupac Interview at 17 years old, 1988. Retrieved from YouTube.
Hot 97. (2014). Kendrick says Macklemore went too far + who “i” is for the state of HipHop. Retrieved from YouTube.
Kaiser Permanente Thrive. (2016). Find Your Words. Retrieved from YouTube.
Kendrick Vs Pac. (2015). Kendrick Lamar Discusses Tupac. Retrieved from YouTube.
MTV. (2015). Kendrick Lamar talks about u, Depression, and Suicidal Thoughts. Retrieved from Youtube.
MTV. (2015). Kendrick Lamar talks about u, Depression, and Suicidal Thoughts. Retrieved from Youtube.
Pal Tube. (2016). Drake or Kendrick? Obama quizzed on rap battles, Star Wars. Retrieved from YouTube.
The Tonight Show starring Jimmy Fallon. (2016). Kendrick Lamar does not want to surpass Michael Jackson. Retrieved from YouTube.
TMZ. (2015). Kendrick Lamar -- Geraldo's Twisting My Message ... I'm Preaching Hope, Not Violence | TMZ. Retrieved from YouTube.
We Will TV. (2015). Geraldo Rivera rips Kendrick Lamar's BET Award set. Retrieved from YouTube.
TMZ. (2015). Kendrick Lamar -- Geraldo's Twisting My Message ... I'm Preaching Hope, Not Violence | TMZ. Retrieved from YouTube.
We Will TV. (2015). Geraldo Rivera rips Kendrick Lamar's BET Award set. Retrieved from YouTube.
Tracklist
Dr. Dre, Anderson .Paak. (2015). Animals. Aftermath, Interscope Records. Track 14 in studio album, Compton.
Dre. Dre, Anderson .Paak, Justus, Kendrick Lamar. (2015). Deep Water. Aftermath, Interscope Records. Track 9 in album studio album, Compton.
Immortal Technique. (2003). Point of No Return. Viper Records. Track 2 in studio album, Revolutionary Vol. 2.
J Cole. (2014). Be Free. Dreamville, Interscope Records.
J Cole, Omen. (2015). Caged Bird. Dreamville, Interscope Records. Track 4 in studio album, Revenge of the Dreamers II.
J Cole. (2013). Chaining Day. Dreamville, Roc Nation, Columbia Records. Track 12 in studio album, Born Sinner.
J Cole. (2016). Neighbors. Dreamville, Roc Nation, Interscope Records. Track 7 in Studio Album, 4 Your Eyez Only.
Kendrick Lamar. (2015). God Is Gangsta. TopDawgEntertainment, Aftermath, Interscope Records.
Kendrick Lamar. (2015). Institutionalized. TopDawgEntertainment, Aftermath, Interscope Records. Track 4 in studio album, To Pimp A Butterfly.
Kendrick Lamar. (2012). M.A.A.D. City. TopDawgEntertainment, Aftermath, Interscope Records. Track 8 in studio album, Good Kid, M.A.A.D City.
Immortal Technique. (2003). Point of No Return. Viper Records. Track 2 in studio album, Revolutionary Vol. 2.
J Cole. (2014). Be Free. Dreamville, Interscope Records.
J Cole, Omen. (2015). Caged Bird. Dreamville, Interscope Records. Track 4 in studio album, Revenge of the Dreamers II.
J Cole. (2013). Chaining Day. Dreamville, Roc Nation, Columbia Records. Track 12 in studio album, Born Sinner.
J Cole. (2016). Neighbors. Dreamville, Roc Nation, Interscope Records. Track 7 in Studio Album, 4 Your Eyez Only.
Kendrick Lamar. (2015). God Is Gangsta. TopDawgEntertainment, Aftermath, Interscope Records.
Kendrick Lamar. (2015). Institutionalized. TopDawgEntertainment, Aftermath, Interscope Records. Track 4 in studio album, To Pimp A Butterfly.
Kendrick Lamar. (2012). M.A.A.D. City. TopDawgEntertainment, Aftermath, Interscope Records. Track 8 in studio album, Good Kid, M.A.A.D City.
Kendrick Lamar. (2015). To Pimp A Butterfly. TopDawgEntertainment, Aftermath, Interscope Records. Studio Album.
Kendrick Lamar. (2012). Swimming Pools. TopDawgEntertainment, Aftermath, Interscope Records. Track 9 in studio album, Good Kid, M.A.A.D City.
Kendrick Lamar. (2009). Vanity Slaves. TopDawgEntertainment. Track 11 in EP, The Kendrick Lamar EP.
Kendrick Lamar. (2012). Swimming Pools. TopDawgEntertainment, Aftermath, Interscope Records. Track 9 in studio album, Good Kid, M.A.A.D City.
Kendrick Lamar. (2009). Vanity Slaves. TopDawgEntertainment. Track 11 in EP, The Kendrick Lamar EP.
KRS-One. (1993). Sound of da Police. Jive Records. Track 7 in studio album, Return of the Boom Bap.
N.W.A. (1988). Fuck tha Police. Ruthless, Priority Records. Track 2 in studio album, Straight Outta Compton.
N.W.A. (1988). Fuck tha Police. Ruthless, Priority Records. Track 2 in studio album, Straight Outta Compton.
Tupac. (1991). Trapped. Amaru, Interscope, T.N.T., Jive Records. Track 2 in studio album, 2Pacalypse Now.
Online
Ahmed, I., Drake, D., Callahan-Bever, N., Werthman, C., Baker, E., Kenner, R., Scott, D. (2016). The Best Rapper Alive, Every Year Since 1979. Retrieved December 02, 2016, from http://uk.complex.com/music/2016/01/the-best-rapper-alive-every-year-since-1979
Bateman, A. (2016). Using Theory in A Level Media Studies. Retrieved December 06, 2016, from http://media.edusites.co.uk/article/using-theory-in-a-level-media-studies/
Benjamin, M. (2016). Kendrick Lamar’s Music Has Become The Soundtrack For Battling Depression. Retrieved December 02, 2016, from http://uproxx.com/realtalk/kendrick-lamar-kaiser-commercial/
Bixby, S. (2016). Kendrick Lamar galvanizes Grammys with politically charged performance. Retrieved December 06, 2016, from https://www.theguardian.com/music/2016/feb/15/kendrick-lamar-grammys-2016-awards-political-performance-blacker-berry
Davey, D. (2006). Is Rap Actually Music or is it a Bad Influence? Retrieved December 02, 2016, from http://hiphopandpolitics.com/2006/08/23/is-rap-actually-music-or-is-it-a-bad-influence/
Ellis-Petersen, H. (2016). Kanye West's travails help hip-hop open up on mental health. Retrieved December 06, 2016, from https://www.theguardian.com/society/2016/nov/25/kanye-wests-travails-help-hip-hop-open-up-on-mental-health
Geslani, M. (2015). FOX News says Kendrick Lamar “has done more damage to young African-Americans than racism”. Retrieved December 11, 2016, from http://consequenceofsound.net/2015/06/fox-news-says-kendrick-lamar-has-done-more-damage-to-young-african-americans-than-racism/
Giovacchini, A. M. (1999). The Negative Influence of Gangster Rap And What Can Be Done About It. Retrieved December 02, 2016, from https://web.stanford.edu/class/e297c/poverty_prejudice/mediarace/negative.htm
Hirsch, A. (2012). African hip-hop is recreating America. Retrieved December 06, 2016, from https://www.theguardian.com/world/2012/oct/03/african-hip-hop-america
Ide. D. (2013) How Capitalism Underdeveloped Hip Hop: A People's History of Political Rap. Retrieved December 04, 2016, from http://www.hamptoninstitution.org/capitalismhiphoppartone.html#.WAUmWeArLIV
Jones, J. (2016). Georgia students study Kendrick Lamar for class. Retrieved December 04, 2016, from http://college.usatoday.com/2014/09/01/georgia-students-study-kendrick-lamar-for-class/
Mcleod, K. (2005). MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly1. Popular Music and Society.
Mize, C. (2015). History of Rap - The True Origins of Rap Music. Retrieved December 04, 2016, from http://colemizestudios.com/how-did-rap-start/
Online
Ahmed, I., Drake, D., Callahan-Bever, N., Werthman, C., Baker, E., Kenner, R., Scott, D. (2016). The Best Rapper Alive, Every Year Since 1979. Retrieved December 02, 2016, from http://uk.complex.com/music/2016/01/the-best-rapper-alive-every-year-since-1979
Bateman, A. (2016). Using Theory in A Level Media Studies. Retrieved December 06, 2016, from http://media.edusites.co.uk/article/using-theory-in-a-level-media-studies/
Benjamin, M. (2016). Kendrick Lamar’s Music Has Become The Soundtrack For Battling Depression. Retrieved December 02, 2016, from http://uproxx.com/realtalk/kendrick-lamar-kaiser-commercial/
Bixby, S. (2016). Kendrick Lamar galvanizes Grammys with politically charged performance. Retrieved December 06, 2016, from https://www.theguardian.com/music/2016/feb/15/kendrick-lamar-grammys-2016-awards-political-performance-blacker-berry
Davey, D. (2006). Is Rap Actually Music or is it a Bad Influence? Retrieved December 02, 2016, from http://hiphopandpolitics.com/2006/08/23/is-rap-actually-music-or-is-it-a-bad-influence/
Ellis-Petersen, H. (2016). Kanye West's travails help hip-hop open up on mental health. Retrieved December 06, 2016, from https://www.theguardian.com/society/2016/nov/25/kanye-wests-travails-help-hip-hop-open-up-on-mental-health
Geslani, M. (2015). FOX News says Kendrick Lamar “has done more damage to young African-Americans than racism”. Retrieved December 11, 2016, from http://consequenceofsound.net/2015/06/fox-news-says-kendrick-lamar-has-done-more-damage-to-young-african-americans-than-racism/
Giovacchini, A. M. (1999). The Negative Influence of Gangster Rap And What Can Be Done About It. Retrieved December 02, 2016, from https://web.stanford.edu/class/e297c/poverty_prejudice/mediarace/negative.htm
Hirsch, A. (2012). African hip-hop is recreating America. Retrieved December 06, 2016, from https://www.theguardian.com/world/2012/oct/03/african-hip-hop-america
Ide. D. (2013) How Capitalism Underdeveloped Hip Hop: A People's History of Political Rap. Retrieved December 04, 2016, from http://www.hamptoninstitution.org/capitalismhiphoppartone.html#.WAUmWeArLIV
Jones, J. (2016). Georgia students study Kendrick Lamar for class. Retrieved December 04, 2016, from http://college.usatoday.com/2014/09/01/georgia-students-study-kendrick-lamar-for-class/
Mcleod, K. (2005). MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly1. Popular Music and Society.
Mize, C. (2015). History of Rap - The True Origins of Rap Music. Retrieved December 04, 2016, from http://colemizestudios.com/how-did-rap-start/
Modern Blackface: The Cultural Appropriation of Rap. (2015). Retrieved December 04, 2016, from https://www.theodysseyonline.com/satire-as-survival
Pearce, S. (2016). J Cole: 4 Your Eyez Only review – unsparing, unflinching raptivism. Retrieved December 11, 2016, from https://www.theguardian.com/music/2016/dec/10/j-cole-4-your-eyez-only-review-unsparing-unflinching-raptivism
Pitlane Magazine. (n.d.). Retrieved December 04, 2016, from http://www.pitlanemagazine.com/morals-values-and-norms/why-rap-music-is-a-bad-influence-yes.html
Platon, A. (2016). Kendrick Lamar Opens Up About Meeting President Obama: 'No Matter How High-Ranking You Get, You're Human.' Retrieved December 04, 2016, from http://www.billboard.com/articles/news/magazine-feature/6866105/kendrick-lamar-meeting-president-obama
Radowitz, J. V., Webb, S. (2015). Hip Hop is the most important genre of music to emerge in last 50 years, claim pop scientists. Retrieved December 11, 2016, from http://www.mirror.co.uk/news/weird-news/hip-hop-most-important-genre-5642569
Shah. V. (2015). The Role of Hip-Hop in Culture. Thought Economics. Retrieved December, 11, 2016, from https://thoughteconomics.com/the-role-of-hip-hop-in-culture/
Simmonds, R. (2013). Why You Should Let Your Children Listen To Hip Hop. Retrieved December 11, 2016, from http://rosssimmonds.com/leadership/children-hip-hop/
Welsh, A. C. (2016). Kendrick Lamar has challenged Barack Obama to a basketball showdown in Compton. Retrieved December 11, 2016, from http://www.factmag.com/2016/12/05/kendrick-lamar-challenged-barack-obama-basketball-showdown-compton/
Williams, S. (2016). Hip-Hop’s History with Police Brutality: Why We Should Live in the Now. Retrieved December 04, 2016, from http://www.thedailybeast.com/articles/2016/07/11/hip-hop-s-history-with-police-brutality-why-we-shouldn-t-romanticize-the-ogs-and-live-in-the-now.html
Y. (2016). Ab-Soul ‘Do What Thou Wilt.’ 1 Listen Album Review. Retrieved December 11, 2016, from http://djbooth.net/news/entry/2016-12-09-ab-soul-do-what-thou-wilt-1-listen-album-review.
Radowitz, J. V., Webb, S. (2015). Hip Hop is the most important genre of music to emerge in last 50 years, claim pop scientists. Retrieved December 11, 2016, from http://www.mirror.co.uk/news/weird-news/hip-hop-most-important-genre-5642569
Shah. V. (2015). The Role of Hip-Hop in Culture. Thought Economics. Retrieved December, 11, 2016, from https://thoughteconomics.com/the-role-of-hip-hop-in-culture/
Simmonds, R. (2013). Why You Should Let Your Children Listen To Hip Hop. Retrieved December 11, 2016, from http://rosssimmonds.com/leadership/children-hip-hop/
Welsh, A. C. (2016). Kendrick Lamar has challenged Barack Obama to a basketball showdown in Compton. Retrieved December 11, 2016, from http://www.factmag.com/2016/12/05/kendrick-lamar-challenged-barack-obama-basketball-showdown-compton/
Y. (2016). Ab-Soul ‘Do What Thou Wilt.’ 1 Listen Album Review. Retrieved December 11, 2016, from http://djbooth.net/news/entry/2016-12-09-ab-soul-do-what-thou-wilt-1-listen-album-review.
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